narrative
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Djembe, an interactive public art installation by George Sabra, stands next to the O. Henry Museum at Brush Square in Austin. Commissioned by the City of Austin, it symbolizes the heart and rhythm of the community, inviting all to participate in a living musical experience that reflects Austin's vibrant music culture.
The artwork draws on Brush Square’s history as a former cotton yard and railroad hub where enslaved individuals once worked. Sabra reclaims this history of injustice and transforms the space from one of suffering into one of creative freedom, using the drum as a symbol of resilience. The artwork also addresses social justice by acknowledging the historical ban on drums during slavery—an attempt to silence African American culture—and celebrates the fusion of African and American music traditions, particularly the influence of African American musical legacies like blues and jazz.

Standing 12 feet tall, Djembe incorporates reclaimed household items—such as pots, pans, and spoons—to represent drums, highlighting sustainability, resourcefulness, and creative reuse.
These humble domestic tools carry deep symbolic meaning: used across the world in times of poverty and protest, they speak to the struggles of those whose voices are often unheard. In many cultures, banging pots and pans has become a sound of resistance, hunger, and hope—a way for communities to demand change when they have nothing left but noise.

Here, those same objects are transformed into instruments of power and unity. Djembe invites the public not just to make music, but to make their voices heard. It becomes a platform for civic expression—a living artwork where people can gather, protest, celebrate, and reflect.The drum, a universal symbol found in cultures worldwide since 6000 BC, serves as a powerful reminder of music’s ability to transcend boundaries, uniting people through its rhythm and deep cultural significance. Djembe transforms Brush Square into a space of empowerment—honoring resilience, calling attention to injustice, and celebrating the global power of music to heal, resist, and unite.

austin
community
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Djembe, is more than just an artwork—it’s a community-driven project.
Local residents contributed materials, participated in the assembly, and helped bring the artwork to life. This collaborative effort ensures the sculpture remains deeply rooted in the spirit of Austin’s diverse and dynamic community.

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the ARTIST

George Sabra’s identity as a reclaimed artist is central to his work and philosophy. He builds his art from discarded materials—such as plastic bottles and caps, stainless steel pots and pans, and even 55-gallon oil barrels—turning what others see as trash into powerful statements.

His work goes beyond simply reusing objects; it addresses deeper themes like environmental healing, social justice, and reclaiming cultural narratives. For example, his piece Djembe transforms historical sites of oppression into spaces of freedom and celebration, while his sculptures made from plastic waste highlight pollution and climate issues.

Sabra’s art invites community engagement, making the creative process itself a shared act of reclamation. His practice is more than eco-friendly; it’s resistance against overconsumption, throwaway culture, and a world that values convenience over care.

Through his reclaimed materials, Sabra exposes a difficult truth: a global system that produces excess while perpetuating poverty. His art challenges us to rethink value, waste, and the stories embedded in the objects around us.

household
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symbolizing drums